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Used on its own, it provides an almost inexhaustible source of enjoyably abstract sounds. Used in conjunction with one or more of Pluggo 's other effects, the possibilities are well-nigh endless.
Why, then, would you want to buy Pluggo? The short answer is 'yes, you could', although it may not be quite as simple as it first appears.
What's more, many of the Pluggo plug-ins embody clever and sophisticated designs, which would not be trivial to recreate!
You can be sure that Pluggo hasn't just been thrown together: plenty of hard work has gone into developing these effects and instruments.
Give it a whirl, and see how you get on. Squirrel Parade is designed to "turn any input into a parade of squirrels". I have never reviewed a squirrel parade-generating plug-in before, but squirrel parading apparently consists of a complicated process of frequency-modulated granular synthesis, wherein the frequency of one 'grain' of the incoming signal can modulate the frequency of other grains.
A modulation matrix controls exactly what affects what. A wide variety of strange chirping, chattering, wobbling and burbling sounds can be produced, and there's an optional internal test-tone generator which can be used to produce great storms of sample-and-hold synth noise.
When processing external signals the effects are harder to predict, and more atonal. Sometimes, with the right kind of input, and your eyes half-closed, that chirping, chattering noise really does conjure images of rodents The Pluggo download page is home not only to the complete Pluggo installer, but also to Pluggo Junior, a set of 12 fully working plug-ins taken from the Pluggo collection and available free of charge.
This is a generous move on Cycling 74's part, and I'd encourage anyone who's at all curious about Pluggo to download Pluggo Junior.
It provides a fairly representative sample of the complete bundle, and a good opportunity to try out Pluggo plug-ins in some real-world situations and your preferred host applications.
At the time of writing, Pluggo Junior is available for Windows only, although a Mac version is promised 'soon'. Space Echo was apparently inspired by Roland's classic RE tape echo, and accordingly provides reverb and delay effects, with a couple of parameters thrown in to mimic some of the more endearing idiosyncrasies of machines of that vintage.
Warble Speed, Warble Amount and Tape Inertia all allow you to interfere with the virtual 'tape speed', while Clip can be used to introduce some distortion into the proceedings.
High-pass and low-pass filters can be used to to imitate the limited frequency response of well-worn tape. Used subtly, Space Echo is capable of producing some very convincing 'vintage' sounds.
Push these parameters to their extremes and the sound moves beyond the boundaries of authenticity, and into newer and noisier territories!
It's a relatively simple effect, but one with plenty of character, and certainly one of my favourites.
Harmonic Dreamz is a simple, easy-to-use additive synthesizer, with 16 sliders for adjusting the relative amplitudes of the first 16 harmonics in the sound.
It has a straightforward ADSR envelope generator, and a random Detune effect to introduce a little unpredictability into the sound. It also has an LFO patched to amplitude, suitable for creating nice, fluttery tremolo effects.
Unusually, the LFO can also be switched to a high-frequency mode, to produce some interesting amplitude-modulation sounds. Harmonic Dreamz is not the most complex or flexible synthesizer you'll ever come across, but its simplicity is arguably its strength.
You can quickly and easily dial up some very pleasant drawbar organ-type sounds, and even some quite nice pseudo-Rhodes pianos.
Equally, tweaking the envelope generator for slow attack and long decay transforms Harmonic Dreamz into a nice little ambient pad synth, capable of a very respectable range of different tones and timbres.
Unlike either of these, however, FM 4-op provides an easy-to-use point-and-click graphical user interface, which makes programming new sounds easy and intuitive.
You don't need to be an FM expert to use this plug-in — in fact it could be a useful tool for anybody wanting to learn a bit about the mysterious world of frequency modulation.
The standard eight 'algorithms' are all there, complete with feedback for operator number four. Envelopes are edited by simply clicking and dragging, and operator waveforms can be switched from a drop-down menu at the top corner of each display.
A good selection of presets is included to demonstrate the kind of sounds that are possible, but the real fun comes when you start programming your own.
All kinds of strange twanging, clanging, cold, metallic noises are there for the taking! For the most part, I found working with Pluggo quite trouble-free, encountering no crashes or serious glitches in the course of my testing.
That said, I did find that at least some of the Pluggo plug-ins could be a little bit on the 'slow' side.
By 'slow', I don't mean that their performance as audio processors was in any way lacking. On the contrary, most of them seemed to be quite economical with CPU resources.
However, on my system at least, several of the plug-ins were really quite slow to load, with a delay of perhaps three or four seconds between selecting the plug-in the host application, and having it become available to use.
I contacted Cycling 74 about this, who told me that this is a known issue which seems to affect a minority of Windows users. Imminent Pluggo upgrades are expected to bring improvements in this respect.
I also found that one or two of the custom graphical user interfaces on some of the plug-ins could be a bit sluggish and unresponsive, even with a relatively low CPU load.
Switching to the default parameter view solved this problem, so it was hardly a major inconvenience. Minor quibbles aside, I have to say that I thoroughly enjoyed reviewing Pluggo.
While the bundle as a whole is impressive, in my opinion its greatest strengths are its more unconventional effects.
What Pluggo offers — and what many commercial plug-in bundles don't — are unusual, original and often inspiring tools for twisting audio signals into new and unexpected shapes.
It's a bit different from the useful but ubiquitous software recreations of conventional studio hardware devices. Combining the effects, the modulation plug-ins and the Pluggo Buss, Pluggo operates as a flexible modular system capable of routing, wrangling and mangling audio signals in some outlandish ways that would be quite impossible with conventional host applications and plug-ins.
Pluggo 's instruments range from the very usable, through the quite interesting to the 'novel', but all are worth having, and add value to the bundle as a whole.
With more than different plug-ins included, I'm very aware that I haven't mentioned some deserving candidates. Fragulator and Degrader, for example, both appealed to me enormously.
Wheat and Rye also proved capable of a range of interesting, textural noises. Contact Support if you have any questions about using multiple machines or to remove authorization from an authorized machine.
Instead, use the Max demo which still functions without saving after 30 days or Max Standalones to run patches on the unauthorized machines.
Your Max authorization will be tied to that account instead of a serial number. There is only one installer and only one flavor of the Max application.
The day demo simply refers to the fact that Max will run without copy protection for the first 30 days. There are no limitations to the program during this period.
Visit this page for details. Holiday notice: Cycling '74 will be closed November, Manual authorization, support cases, and manual order processing will be delayed.
In this article. If no time has been specified since the last target value, the time is considered to be 0 and the output signal jumps immediately to the target value.
In right inlet: The number is the time, in milliseconds, in which the output signal will arrive at the target value. An example would be 0 1 , which would go from the current value to 0 in a second, then to 1 in a second.autopopulate [int] (default: 0). Toggles the automatic population of an umenu object with folder contents (default = 0). The automatic population will occur when it receives a valid folder path as the argument to a prefix message, or at patcher load, if a valid prefix is stored with the object. Max For Live. Max For Live brings the power and flexibility of Max to Ableton Live. Max For Live gives you access to hundreds of exclusive custom plug-ins (Live Devices) as well as the tools to build your own. Cycling ’74 creates software for the specialized needs of artists, educators, and researchers working with audio, visual media, and physical computing. Our v. Cycling '74 (also known as "C74" and stylized as '74) is an American software development company founded in by David Zicarelli, headquartered in San Francisco, California and owned by Ableton. The company is best known for their work with the digital signal processing software environment, Max. In-App Help Menu Inside the Max application, the Help Menu is one of the best places to get started. Work with real patches by learning from guided lessons, or simply start exploring and manipulating objects on your own. Cycling ’74 creates software for the specialized needs of artists, educators, and researchers working with audio, visual media, and physical computing. Our v. k Followers, Following, Posts - See Instagram photos and videos from Cycling '74 (@c74connect). Cycling 74's Pluggo plug-in bundle continues to grow, and now encompasses over effects, synths and modulation sources. Pluggo is a collection of more than instrument, effects and 'modulation' plug-ins, all of which are accessible via the VST, Audio Units and RTAS protocols under Windows XP .